Private honours
created: Transcription from stone (CDL and ER).
source date: Ca. 250 BC
language: ar; en; fr; de; grc; grc-Latn; el; he
availability: CC BY-NC-SA 4.0 Deed Attribution-NonCommercial-ShareAlike 4.0 International License. All citation, reuse or distribution of this work must contain a link back to DOI: https://doi.org/10.60760/unibo/igcyrgvcyr2 and the filename (IGCyr000000 or GVCyr000), as well as the year of consultation. (https://creativecommons.org/licenses/by-nc-sa/4.0/)

Fragment a : [...], II.64, whence [...], 187, fig. 138; both fragments: [...], p. 316, pl. LVII.3 (= [...], p. 44, fig. 18,3 ), and again [...], pp. 168-169, n. 16, fig. 200 (= [...], p. 82, n. 16, fig. 16), whence [...], 58.1890; [...], pp. 537 and 542; [...] 102100. Cf. [...], n. 6, whence [...], 64.2012.

Λῦσις Πολυβώλω. Θεύμανδρος ἐποίησεν

Θεύμανδρος[^a1]

[^a1: Θεύμανδρος | Θεύμανδρος | [...] Θευμάνδρω]

Lysis fils de Polybôlos. Oeuvre de Theumandros.

Lysis son of Polybolos. Theumandros was the artist.

Lysis figlio di Polybolos. Opera di Theumandros.

A link with the priest of the lists of subscribers (IGCyr065200 and IGCyr065210), also mentioned at IGCyr020000), suggested by Gasperini, is now irrelevant, as his name is now completely known as Νικόβωλος.

Rosamilia rightly points that the artist's name is cut in a shallow depression, although it is not possible to guess whether a former inscription was erased because of a change of sculptor or because of a mere mistake of the stone-cutter.