Dedication to Zeus Eri(nymenos?) and Hermes Dolios
created: Transcription from previous editor (CDL).
source date: End of the sixth century BC
language: ar; en; fr; de; grc; grc-Latn; el; he
availability: CC BY-NC-SA 4.0 Deed Attribution-NonCommercial-ShareAlike 4.0 International License. All citation, reuse or distribution of this work must contain a link back to DOI: https://doi.org/10.60760/unibo/igcyrgvcyr2 and the filename (IGCyr000000 or GVCyr000), as well as the year of consultation. (https://creativecommons.org/licenses/by-nc-sa/4.0/)

[...], 154; [...], pp. 241, 244-245, n. 8, whence [...], 37.1673; [...], p. 89; [...], pp. 240-244; [...] 001400.

το͂ Ζε̄νός το͂ Ἐρινυμένō

το͂ hερμᾶ το͂ Δολίō

το͂ Ζε̄νός[^a1] Ἐρινυμένō[^a2] τόζε το͂ hερμᾶ[^1] το͂ ἐρι(ουνίō), το͂ δολίō[^2]

[^a1: το͂ Ζε̄νός | τόδε [Pugliese]]

[^a2: Ἐρινυμένō | Ἐριōνίō]

[^1: read horizontally]

[^2: read horizontally]

a: Autel de Zeus Érinyménos.

b: Autel d'Hermès Dolios.

a: Altar of Zeus Erinymenos.

b: Altar of Hermes Dolios.

a: Altare di Zeus Erinymenos.

b: Altare di Hermes Dolios.

At a.1 τόζε, supposed by Pugliese Carratelli to be a variant of τόδε does not match the dialect (see [...], pp. 55-58).

At a.2:Ἐριούνιος is known for Hermes but never for Zeus. That is Bevilacqua's main argument for neglecting the vertical stroke dividing the inscription and to read our lines a.1 and b.1 together. However, this vertical stroke is in exact correspondance with the limit between the left and the central compartments of the altar. That is why Dobias-Lalou proposed an abbreviation of Ἐρινύμενος, a supposed epithet of Zeus passed on with slight corruption into Hesychius' Ἐλινύμενος· Ζεὺς ἐν Κυρήνῃ, which has no etymology.